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The concert's programme will be uploaded here a few days before the event.

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Booking Info

Royal Festival Hall 2018/19

  • Please note that a transaction fee of £1.75 will be added to each order made online.
  • Tickets booked fewer than five working days before the date of the concert will be available for collection at the ticket office from 6.30pm on the day of the performance.
  • Concessions: 50% off all ticket prices for full-time students, benefit recipients (Jobseeker's Allowance, Income Support or Pension Credit) and under-18s (maximum 4 per transaction. Not applicable to Family Concerts) only. Limited availability; appropriate cards will be checked on admission.
  • Visitors with a disability can join Southbank Centre's free Access List. You may be eligible for tickets at concessionary prices and to bring a companion who can assist you during your visit. Visit our Access page for full access information relating to our concerts.
  • Please note that we are unable to take payment by Amex.
  • The right is reserved to substitute artists and vary programmes if necessary, and to adjust ticket price allocations according to demand.

Premium seats £65
The very best seats in the stalls, ensuring you the finest acoustic and view, are available as Premium seats.

Book more, pay less

Book 3-4 concerts and receive a 10% discount
Book 5-7 concerts and receive a 15% discount
Book 8-10 concerts and receive a 20% discount
Book 11-14 concerts and receive a 25% discount
Book 15 or more concerts and receive a 30% discount

Series discounts are automatically calculated online.  Series discounts are available on full price tickets only.

Only nine tickets per concert can be bought online. Bookings of ten or more seats for the same concert are eligible for the group booking discount of 20%. Please call the London Philharmonic Orchestra Group Booking Line on 020 7840 4205 for further details.

Offline booking

London Philharmonic Orchestra ticket office: 020 7840 4242
Mon-Fri 10am-5pm. £2.75 transaction fee

Southbank Centre ticket office: 020 7960 4200
Daily 9am-8pm. £3.50 transaction fee. All ticketing staff at Southbank Centre can take typetalk calls.
In person at Southbank Centre: no transaction fee.

Minimum age

7.30pm concerts are not recommended for children of seven years and under, and Southbank Centre staff reserve the right to refuse entry to young children for these events. We recommend our FUNharmonics concerts for children aged 6-11.

Can I exchange my tickets?

You may exchange your tickets for another concert in the Orchestra's 2018/19 season or exchange for a credit note, provided the tickets are returned to the London Philharmonic Orchestra ticket office, and arrive at least two working days before the concert. For ‘Print at Home’ tickets, forward them to This email address is being protected from spambots. You need JavaScript enabled to view it. with a covering email. We do not offer refunds unless a concert is cancelled. The right is reserved to substitute artists and vary programmes if necessary, and to adjust ticket price allocations according to demand. We do not offer refunds unless a concert is cancelled.

The Swingling Sixties

Changing Faces: Stravinsky’s Journey

7:30 PM, ​ Royal Festival Hall, London

Stravinsky Variations (Aldous Huxley in Memoriam)
Stravinsky Threni
Stravinsky Tango
Berio Sinfonia

Vladimir Jurowski conductor
Elizabeth Atherton soprano
Maria Ostroukhova mezzo-soprano
Thomas Walker tenor
Joel Williams tenor
Theodore Platt baritone
Clive Bayley bass
The Swingles
London Philharmonic Choir
London Philharmonic Orchestra

Imagine a symphony that takes everything a symphony has been and everything a symphony could be: an orchestral showpiece that’s simultaneously a protest, a celebration, and an outrageous postmodern prank from the heart of 60s counterculture. Berio’s Sinfonia is all that and much more; and 50 years after its premiere, The Swingles – who sang in its historic first performance in 1968 – join forces with the LPO to bring it back to astonishing, psychedelic life. It’s a spectacular landmark on our Stravinsky journey, as well. Two piercing, crystal-clear musical rituals from 1958 and 1964 begin the concert – and throw open the doors of perception.

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