Booking tickets through Congress Theatre Eastbourne
By phone: 01323 412000 (Mon-Sat 10am-8pm, and Sundays if there is a performance)
In person: Congress Theatre Box Office (Mon-Sat 10am-8pm (and Sundays if there is a performance)
There is a £1 booking fee for each ticket purchased. This is included in the ticket prices displayed.
There is a £1 charge for postage. Tickets cannot be exchanged or refunded.
Book more, pay less
Book 3 concerts and receive a 10% discount
Book 4 concerts and receive a 15% discount
Book 5 concerts and receive a 20% discount
Book 6 concerts and receive a 25% discount
Group Discounts: Bring friends – save money!
Groups of 10 or more will receive a 20% discount on ticket prices
Groups of 20 or more will receive a 20% discount as well as a complimentary ticket for the group organiser.
Please note that offers cannot be combined.
The Congress Theatre, Eastbourne wants everyone to enjoy their visit and offers a range of facilities for patrons with disabilities and their companions, and also to those who may need support in attending events. Please ensure you notify the Theatre of any special requirements when booking so that you are offered the most appropriate seats.
The Congress Theatre has several specially designed seat positions as well as a wheelchair accessible toilet on the ground floor. A companion sitting in a neighbouring seat may be admitted free of charge, via the essential companion scheme. Please ask the Ticket Office for further details.
Hearing impaired customers
There is an infra-red assisted hearing system in the Congress Theatre. Headphones and neck loops may be reserved through the Duty Manager, who can be contacted on 01323 415500 to check that your hearing aid is compatible with this system.
Visually impaired customers
Guide Dogs are welcome. Printed materials are available in large print on request from the London Philharmonic Orchestra Marketing Department (020 7840 4200).
Eastbourne Residency: Beethoven, Haydn, Mozart and Rossini
Daniel Smith conducts a programme of classical favourites
Beethoven Symphony No. 1
Haydn Piano Concerto in D major, Hob. VIII.11
Rossini Overture, The Barber of Seville
Mozart Symphony No. 41, K551 (Jupiter)
Daniel Smith conductor
Maria Meerovitch piano
London Philharmonic Orchestra
Three works of consummate perfection from the composers who effectively created what we now know as ‘the symphony’. Beethoven’s First might be stunningly proportioned and neat, but from its opening discord the Symphony showed that its creator had new and compelling things to say.
After Haydn’s most enchanting piano concerto we hear Mozart’s final symphony – a staggering and uncanny marriage of technical wizardry to emotional profundity, and the peak of Mozart’s orchestral achievements.
The only way to top that is with the clipped musical rollercoaster-ride that is Rossini’s effervescent overture to his undisputed operatic masterpiece, The Barber of Seville.
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