Reviews

The latest reviews of our concerts and recordings

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CD reviews: Jurowski conducts Anderson

LPO-0089

In March 2016, we released our recording of works by Julian Anderson, LPO Composer in Residence from 2010–14. The three pieces that have been recorded are a celebration of his tenure: In lieblicher Bläue, Alleluia and The Stations of the Sun.

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Concert Reviews: 30 April 2016

Vladimir Jurowski

In our final performance in our 2015/16 London season, Saturday 30 April, our Principal Conductor and Artistic Advisor Vladimir Jurowski led the Orchestra in a performance of Rachmaninoff’s Piano Concerto No. 4 and R Strauss’s An Alpine Symphony.

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Concert Reviews: 23 April 2016

Simon Callow

On Saturday 23 April, the London Philharmonic Orchestra were joined by a star-studded line up of singers and actors, including Simon Callow, in a jam-packed Anniversary Gala performance of music and the spoken word, in celebration of the world’s greatest playwright, William Shakespeare.

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Concert Reviews: 20 April 2016

Vladimir Jurowski

On Wednesday 20 April, LPO Principal Conductor Vladimir Jurowski led the Orchestra in a performance of French masterpieces, including Saint-Saëns’s exotic Piano Concerto No. 5 and Debussy’s Images.

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Concert Reviews: 9 April 2016

Matthias Goerne

On Saturday 9 April, Christoph Eschenbach conducted the London Philharmonic Orchestra in a performance of Schoenberg’s Verklärte Nacht, as well as Brahms’s choral masterpiece, A German Requiem.

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Concert Reviews: 9 March 2016

Marc-André Hamelin

On Wednesday 9 March, LPO Principal Conductor and Artistic Advisor Vladimir Jurowski once again joined the Orchestra to conduct a performance of Rachmaninoff’s romantic Piano Concerto No. 3, as well as Zemlinsky’s ethereal work The Mermaid.

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Concert Reviews: 5 March 2016

Anne Sofie von Otter

On Saturday 5 March, the London Philharmonic Orchestra's Principal Conductor and Artistic Advisor Vladimir Jurowski conducted the Orchestra in a performance of Tchaikovsky’s Symphony No. 3, Zemlinsky’s Six Maeterlinck Songs, and Szymanowski’s poignent Stabat Mater.

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